Challenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Williams as aesthetically and politically progressive, the book furthers a revisionist perspective by broadening understandings of the nature of his responses to the twentieth century. This portrait of a modern composer emerges not merely by focusing on under-represented interests and pursuits, but also by contextualizing those activities that have been misrepresented as conservative or backward-looking.
